The Martian Deluxe Soundtrack is compiled of both 'Songs From The Martian' and 'The Martian: Original Motion Picture Score'. 'Songs From The Martian' is the companion Soundtrack to the film The Martian, the action adventure directed by Ridley Scott, starring Matt Damon in the lead role as Astronaut Mark Watney. The '70s-laden album is comprised of some of the greatest classics from disco's golden era (tracklist below) including "Turn The Beat Around" (Vickie Sue Robinson), "Hot Stuff" (Donna Summer), "Rock The Boat" (Hues Corporation), "Waterloo" (ABBA), and "I Will Survive"(Gloria Gaynor), and others. 'The Martian: Original Motion Picture Score' is composed by Harry Gregson-Williams (The Shrek Franchise, X- Men Origins, Man On Fire, The Chronicles Of Narnia). Gregson-Williams also previously scored director Ridley Scott's 2005 movie 'Kingdom Of Heaven.'
With the subtitle "Songs from the Vault," you'd be forgiven if you thought 24 Karat Gold was an archival collection of unreleased material and, in a way, you'd be right. 24 Karat Gold does indeed unearth songs Nicks wrote during her heyday – the earliest dates from 1969, the latest from 1995, with most coming from her late-'70s/early-'80s peak; the ringer is a cover of Vanessa Carlton's 2011 tune "Carousel," which could easily be mistaken for Stevie – but these aren't the original demos, they're new versions recorded with producer Dave Stewart. Running away from his ornate track record – his production for Stevie's 2011 record In Your Dreams was typically florid – Stewart pays respect to Nicks' original songs…
Love , lust and angst were the biggest topics of teen love songs back in the 50s, a time where the idols of the day , no longer your Mom and Dad s crooners, dominated the charts. The 1950s marked the birth of rock’n’roll. From big band tracks to jazz standards, until midway through the 20th century, music was a resolutely parent-friendly zone. But then everything changed. Elvis had flustered teenagers all shook up, while the likes of Chuck Berry, Jerry Lee Lewis and the like were destroying the old safety nets with a virile, passionate new sound.
A smorgasbord album, the cast list includes Bjork, Siouxsie Sioux, Brendan Perry, and long-term sidekick Barbera Googan. As expected, the mood is cold, often somber in tone. Only on "The Long Voyage," a springy ditty fronted by Suzanne Vega and John Cale, does the album ascend from the depths. Some of the gloom works, like in "Havet Stomar," a brilliant slow burner with B.J. Cole's pedal steel guitar and ECM artist Lene Willemark's chilling howls. "Annukka Suaren Neito" presents what must be the closest to an Eskimo rap you can get. Mark Isham provides freestyle trumpet that almost sounds like seagulls swooping the skies. The Jane Siberry-fronted "She Is Like the Swallow" is a beauty, as soft as it is light. Hector Zazou's electronics are in fine check too. The canvas expands to new textures, such as metallic percussion in "Adventures in the Scandinavian Skin Trade".