Walter Wanderley's understanding of and digital skill with bossa nova rhythm patterns was enviable, comparable only to Joao Gilbertos genius. With dozens of phony, unmusical albums of Brazilian jazz and pop music inundating American record shops since bossa nova happily emerged from Brazil in mid-1962, Walter Wanderleys swinging style at the Hammond console epitomized the finest in authentic Brazilian entertainment.
Features 24 bit digital remastering. Comes with a description. The Charles Lloyd Quartet was (along with Cannonball Adderley's band) the most popular group in jazz during the latter half of the 1960s. Lloyd somehow managed this feat without watering down his music or adopting a pop repertoire. A measure of the band's popularity is that Lloyd and his sidemen (pianist Keith Jarrett, bassist Ron McClure and drummer Jack DeJohnette) were able to have a very successful tour of the Soviet Union during a period when jazz was still being discouraged by the communists. This well-received festival appearance has four lengthy performances including an 18-minute version of "Sweet Georgia Bright" and Lloyd (who has always had a soft-toned Coltrane influenced tenor style and a more distinctive voice on flute) is in top form.