This Australian-only box set covers the period of the band's peak in popularity (1980-1984). Beginning with True Colours and ending with their swan song, See Ya Round, it shows the band in perfect pop form. While this is too ambitious for the casual fan, the devoted will find this essential for considerably improved sound and the bonus disc of previously unreleased tracks.
Perhaps better known to most as a successful New Zealand, (and NZ's most successful band and hugely popular in NZ and Australia) new wave act from the early 1980s. Split Enz did in fact start life as a prog band formed in 1972 originally spelt Split Ends (the spelling changed to Enz when the band left New Zealand), by friends at Auckland University Phil Judd (Guitar, vocals) and Brian (Tim) Finn (Vocals, piano, guitar), who had an inspired period of song writing together. Their early sound was a mixture of vaudeville and influences of the Beatles, Genesis, Yes, Roxy Music, Jethro Tull and Gentle Giant. Tim's singing style was influenced a little by Brian Ferry while Phil Judd by Roger Chapman of Family.
After the calm of "Dizrhythmia" came the storm called "Frenzy". This is the US/UK version.
After the calm of "Dizrhythmia" came the storm called "Frenzy".
Recorded in the spring of 1978 at Yes bassist Chris Squire's home studio, K-Scope featured three founding members of the Split Enz/Crowded House: Eddie Rayner (keys), Tim Finn (lead vocal) and brother Neil Finn (backing vocal).
After "Mental Notes" was re-recorded as "Second Thoughts", the boys came up with this one. And they left it like that.
The US version of "Mental Notes", produced by Phil Manzanera, is the Aussie LP called "Second Thoughts" with the track "Mental Notes" tacked on.
Split Enz, a band that Australia would dearly love to call its own, was formed in New Zealand in 1973. Their early albums and legendary live performances conjured a dedicated fan base that fed and clothed the band until radio friendly unit shifters like “I See Red “ and “I Got You“ made the band a household name....
Robert Christgau doesn't get it: "They're still hyped as "avant-garde." Probably because they mix their twitty, intermittently tuneful art-pop with Nino Rota homages and stereo effects that go back to the house of Gary Usher. C+" What an ass!
This record is where the wilder parts of Split Enz met up with the pop side. It makes for an amazing journey.