The capture of the Hapsburg city of Vienna was a major strategic aspiration for the Islamic Ottoman Empire, desperate for the control that the city exercised over the Danube and the overland trade routes between southern and northern Europe. In July 1683 Sultan Mehmet IV proclaimed a jihad and the Turkish grand vizier, Kara Mustafa Pasha, laid siege to the city with an army of 150,000 men.
In September a relieving force arrived under Polish command and joined up with the defenders to drive the Turks away. The main focus of this book is the final 15-hour battle for Vienna, which climaxed with a massive charge by three divisions of Polish winged hussars. This hard-won victory marked the beginning of the decline of the Islamic Ottoman Empire, which was never to threaten central Europe again.
These seven discs recorded between 1995 and 2000 make up a fabulous anthology of early seventeenth-century Italian music. A large number of composers are gathered round the central figure of Claudio Monteverdi; while some of them, like Salomone Rossi, Biagio Marini and Dario Castello, are among the musicians with whom he worked in Mantua or Venice, others illustrate the extraordinary musical creativity of the period, whether it be Sigismondo d’India, Tarquinio Merula, Francesco Cavalli, Alessandro Grandi, or so many other lesser-known personalities, each of whom helped to build the rapidly growing edifice of Italian Baroque music.
Anyone who loves the crossover collaborations not remain insensitive to Havana Paris Dakar, wedding several cultures and rich musical colors of history. Beautiful World Village label reveals the union of a nomad of Senegalese music, Alune Wade, and a Cuban piano prodigy, Harold Lopez-Nussa time of an album. The duo portrayed the African musical landscape through covers of famous songs like Small Country, the success of Cesaria Evora, Sara Tavares, the standard of chaabi Yarahya, Aminata, salsa made in Dakar, or Independence Cha Cha, a tube of years of independence, composed by Joseph Kabasele.