This is a reissue of a recording from 1993 (re-released a few years ago and deleted in 2003), recently remastered for SACD, and it really impresses with a renewed presence and impact, even on standard CD playback. As I said in my original review, Savall's reading "comes as close as these things can to placing us in the best seat in the house and treats us to a rare experience: the sensation of believing we're hearing a ruggedly familiar piece for the first time. Literally bursting with energy, scintillating strings, blazing horns, and incisive winds, and never boring even for one second, these performances give you Handel at his most exciting." If you have the earlier release, you probably don't need this one–unless you now own an SACD system–but it does deserve a place in every Handel collection, not only for the unsurpassed performances, but also for the effect of Savall's several decidedly "non-standard" tempos(!), and of course for the phenomenal sound, which now must have reached its ultimate realism in this format.
This 68-minute program–a compilation of recordings made by Jordi Savall, Montserrat Figueras & Co. during the years 1976 and 2008 (including several selections originally released on dhm and Virgin Classics)–proved one of those purely pleasurable, effortlessly rewarding listening sessions that only rarely come along. We don't often review compilations drawn from multiple recordings made in different venues and over many years–they're so often programmatically disjointed and sonically varied; but in this case it doesn't matter. The music is compatible stylistically and these performers are so consistent in the quality and care and vitality of their performances that, well, what's 30 years or so?
Ostinato is an anthology which brings together the most representative works of the art of improvisation and of a musical form based on a unique concept of the basso, which is repeated sequentially throughout the compositions.
During the final years of his life, Johann Sebastian Bach (1685-1750) created the monumental body of music that can be considered his “Testament”, comprising the Musical Offering, the Art of Fugue and the B minor Mass. This latter work is a perfect synthesis of all his skill and flair in the art of composition (and essentially in that of counterpoint), as well as his gift for invention and his extraordinary sense of form, structure and number.